Mr. Kiwi (or New Zealand)

Reginald Forest

Abstract


ABSTRACT: Phillip Humphrey Garland was an icon of New Zealand culture and society. His inquiries into New Zealand folklore enriched those citizens and abroad. Yet his contributions also force a rethinking into assumptions of the purity of any culture and music. He and folk culture transcend elite limitations. 


Keywords


Folklore; New Zealand music

Full Text:

PDF

References


Abbott, Roy. 'And When They Dance.' .

Bloom, Harold. The Western Canon: The Books and School of the Ages. Harcourt Brace, 1994.

Brown, Michael. ‘In Search of Native Song: Traditional Folksong Collecting in New Zealand.’ (2006) 25 Nov. 2017 . n. pag.

Carlyle, Thomas. On Heroes, Hero-Worship, and the Heroic in History. Los Angeles: University of California Press, 1993.

Cash, Johnny. American IV: The Man Comes Around, American Recordings, 2002.

Garland, Phil. Faces in the Firelight: New Zealand folk song & story. Wellington: Steele Roberts, 2009.

Gillick, Amy. Personal interview, 1 Dec. 2017.

Hau’ofa, Epeli. We Are the Ocean: Selected Works. Honolulu: University of Hawai’i Press, 2008.

Joel, Billy. ‘Piano Man.’ Piano Man, Columbia, 1973.

---. Downeaster Alexa.’ Storm Front, Columbia, 1989.

King, B. B. ‘Why I Sing the Blues.’ Live & Well, MCA, 1969.

Owen, Alwyn. ‘Phil Garland: In Search of the Elusive Kiwi Folk Song.’ Music in New Zealand. 27 (1994), pp. 42-43.

Run DMC. ‘Raising Hell.’ Raising Hell, Profile, 1986.

Smith, Moira. ‘Introduction: Looking at the Overlooked. Journal of Folklore Research 44. 2/3 (2007), pp. 105-125. JSTOR. < http://www.jstor.org/stable/40206946>.


Refbacks

  • There are currently no refbacks.


Bookmark and Share


Copyright (c) 2018