Sally Morgan and My Place from an American’s point of view: The Game of Navigation
Keywords:
Sally Morgan, My Place,Abstract
Sally Morgan published her dominant work, My Place, in 1987. Almost from its dissemination, there were those (Aboriginal and non-Aboriginal alike) who were more than critical—even suspicious of the work and its author. The angst centred on questions of authority and legitimacy. Yet a re-examination of the proof—past and present—shows those concerns as misplaced now as then. The second reason for the uneasiness resides in not knowing from what highly-regarded category of literature to critique My Place.
However, My Place occupies at least one much-respected category: the spiritual biography.
References
Attwood, Bain, ‘Portrait of An Aboriginal as an Artist; Sally Morgan and the Construction of Aboriginality’, Australian Historical Studies, 25.1-2 (1992), 302-318.
Augustine of Hippo, The Confessions, The City of God, On Christian Doctrine. Trans. Edward Bouverie Pusey, Marcus Dods and J. F. Shaw. ed. Eobert Maynard Hutchins. The Encyclopedia Britannica, 1952.
Behrendt, Larissa, ‘At the Back of the Class. At the Front of the Class: Experiences as Aboriginal Student and Aboriginal Teacher’, Feminist Review, 52 (1996), pp. 27-35.
Carter, Jan, Afterword. My Fortunate Life. By Albert B. Facey. Fremantle, Western Australia: Fremantle Arts Centre Press, 1981.
Cooper, Annabel, ‘Talking About My Place/My Place. Feminism and the Other’s Autobiography’, Southern Review, 28 (1995), 140-53.
Davis, F. James, ‘Who is Black? One Nation’s Definition.’
http://www.pbs.org/wgbh/pages/frontline/shows/jefferson/mixed/onedrop.html>. n. pag. 9 Oct. 2012. Web.
Docker, John, ‘Recasting Sally Morgan’s My Place: The Fictionality of Identity and the Phenomenology of the Converso’, Humanities Research, 1 (1998), 1-22.
Equaino, Olaudah, The Interesting Narrative of the Life of Olaudah Equiano, Written by Himself. New York: Bedford/St. Martin’s, 2007.
Facey, Albert B., My Fortunate Life (Fremantle, Western Australia: Fremantle Arts Centre Press, 1981).
Forest, Reginald Carl, ‘Three Contemporary Australian/ Australia-exposed Thinkers: Mudrooroo, Sally Morgan, and Epeli Hau’ofa.’ Dissertation, University of New England, 2012.
Huggins, Jackie, ‘Always Was Always Will Be’, Australian Historical Studies, 1 (1993), 459-464.
Langton, Marcia, ‘Aboriginal Art and Film: The Politics of Representation’, Race and Class, 35.4 (1994), 89-106.
Macaulay, Thomas Babington, ‘Macaulay Minute on Education.’ Sources of Indian Tradition. Ed. Wm. Theodore de Bary. 1958 (New York: Columbia UP, 1964), pp. 596-601.
Morgan, Sally, My Place (Fremantle, Western Australia: Fremantle Arts Centre, 1987).
Mudrooroo, US Mob: History, Culture, Struggle: An Introduction to Indigenous Australia (Sydney: Angus and Robertson, 1995).
Mudrooroo, ‘Maban Reality’, Journal of Caribbean Studies, 12. 2-3 (1998), 130-136.
Muecke, Stephen, ‘Aboriginal Literature and the Repressive Hypothesis’, Southerly (1988), 405-418.
Ozturk, Rhonda, ‘Sally Morgan’s Discovery of True Identity and Black History from Minimal Lore’, Australian Folklore: A Yearly Journal of Folklore Studies, 10 (1995), 61-78.
Renes, MartÃn, ‘Sally Morgan: Aboriginal Identity Retrieved and Performed within and without My Place’, Estudios Ingleses de la Universidad Complutense, 18 (2010), 77-90.
Shoemaker, Adam, Mudrooroo: A Critical Study (Sydney: Angus and Robertson, 1993).
Suchocki, Marjorie, ‘The Symbolic Structure of Augustine’s Confessions’, Journal of the American Academy of Religion, 50.3 (1982), 365-378.
Turcotte, Gerry, ‘Vampiric Decolonization: Fanon, ‘Terrorism’ and
Mudrooroo’s Vampire Trilogy.’ Faculty of Arts—Papers (2005) Web. 23 Jan. 2010. <http://works.bepress.com/gturcotte/4.
Wendt, Albert, ‘Towards a New Oceania’, Mana Review, (1976), 641-652.
Woorama, ‘Native Right To Self-Identify: Reclaiming Indigenous Heritage Can Result In Anglicised Packaging Of Aboriginal Identity And Culture.’ Suite101.com. n. pag. 18 Oct. 2012. Web.
Wright, Mary, ‘A Fundamental Question of Identity: An Interview with Sally Morgan’, Kunapipi, 10:1-2 (1988), 92-128.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Copyright of items in their Australian Folklore format, and any associated fees (e.g.CAL), remains the property of the Association. This includes making articles freely available on the journal's website.
- Authors are permitted and encouraged to post their work online (e.g. in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- Authors are welcome to archive their pre-print and post-print pdf copies of their articles under the SHERPA RoMEO 'Green' copyright classification.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g. publish it in a book), with an acknowledgement of its initial publication in this journal.